Rina Banerjee in The New York Times

October 15, 2015

Holland Cotter, in his in his review of the Greater New York exhibition at MoMA P.S. 1., praises the "exotic gorgeousness" of Rina Banerjee's sculpture Preternatural passage....

Cotter discusses the show's exploration and influence of work from the 1960s and 70s and makes a point that resonates with Banerjee's individual practice as an artist: "'Greater New York' isn’t shy about dealing with identity politics. How could it be in Eric Garner’s hometown? But no identities are simple: The human body is raw matter mashed in the crucible of race, gender and class."